New HiVolt microphone preamps actually deliver on the usual “low noise, high headroom” mixer claim. When you listen to the “White Album,” Rhianna’s “Rated R” and “Loud”, “Goodbye Yellow Brick Road” and literally hundreds of other familiar albums, you’re listening to the legendary Trident mixing console sound. Peter Watts had an important role in Trident technology; he brings the same rich, warm preamp, EQ and dynamics quality to the products he designs today. HiVolt mic preamps give you the most headroom of any comparably-priced analog or digital mixer (16.5V internal voltage, even on stereo channels where other mixers skimp). They sound warm and musical.
You can tell SoundLink was designed by practical musicians. It’s is the only small mixer that has Mute Groups. They let you instantly call up different combinations of channels for various groups on stage, different songs, sound checks, a solo acoustic number, a drum solo or different parts of a church service (choir, praise band, pastor. You get four Group options, each easily programmable and recallable.
Have it their way. Some musicians want to hear more of their own instrument or voice in their in-ear or floor monitor, a process that is complicated to change on other mixers. SoundLink’s Musician’s Phone feature provides one-knob boost of the complete left/right mix into the musician’s individual track. Instead of having to change main mix settings or take up a bus, you have dedicated knobs for two Musician’s “more me” monitor mixes. A SoundLink exclusive!
Not just effects. KORG effects . Instead of a generic digital effects processor chip, SoundLink mixers use a high-quality proprietary Korg custom chip that builds on all of Korg’s multi-decade expertise: twenty four ultra-realistic digital effects. For example, all six reverb effects include an alternate “WARM” version – a touch veteran Korg users will tell you is very useful. Parameters of all effects can be tweaked, saved and recalled, and activated by an optional footswitch. Plus, you get test tone generators for use with the built-in 24-band Spectrum Analyzer that’s another SoundLink exclusive in a mixer in this price range.
Rack-mount studio-grade DSP you can reach easily. Digital processing and effects are frustrating if they’re buried in some long, scrolling menu inside a menu. For EQ and other control features, and a row of individual L/R, AUX 1 and Aux 2 assign buttons for both Equalization and Dynamics makes mixing easier. SoundLink’s Limiter, Compressor, Noise Gate are both effective without being harsh or exaggerated. Each has tweakable, recallable parameters. Coupled with a 31-band Spectrum Analyzer, our super-practical 31-band/9-band ParaGraphic EQ solves acoustical problems other small mixers can’t handle.
Powerful music software included
The SoundLink MW 2408/1608 include the powerful RX elements software by iZotope. This advanced software suite is equipped with several tools that will allow you to clean, repair, or even rebalance the mix of any recording, making it the perfect companion software for the SoundLink Mixers.
How to download
Please go to the KORG Bundle Software website and insert the code included in the SoundLink Mixers. This way you will be able to get a specific download code for “iZotope RX 7 Elements”. Once you have that download code, go to iZotope’s website and use the code to download the software.
* Please note: Technical support for this program is done by iZotope
Founded in 2001, in Cambridge, Massachusetts, iZotope’s wide lineup of products is led by “Ozone”, the award-winning mastering software, and sold and supported by users in more than 50 countries around the world. For more information please go to: