KRONOS LS 88 Music Workstation

£2,900.00
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KRONOS LS 88 Key Music Workstation

  • All-new light-touch keyboard for effortless, nimble playing
  • 6.3 kg/14 lbs. lighter than KRONOS2-88 for increased portability
  • New OS v3.1 includes new
  • Quick Layer/Split functions
  • A new look to complement its new feel Enhanced SGX-2 Grand Piano Engine
  • Featuring the new Berlin Grand Massive sound selection
  • KRONOS Expansion Sound Libraries
  • Artist Sound Libraries
  • Famous Song Sounds
  • Nine distinct sound engines
  • Innovative Set List mode with many new updates
  • colour TouchView display-now with TouchDrag capability
  • Sequencer Compositional Tools
  • KARMA
  • Drum Track
  • Open Sampling System
  • 16-track audio recording / 16-track
  • MIDI sequencing
  • 16 onboard effects processors
  • USB/MIDI host ports accommodate
  • MIDI control surfaces
  • New 88-Note Light-weight keyboard action
  • Smooth Sound Transitions
  • Advanced Control Surface
  • Dual Joysticks (X-Y; Vector)
  • Ribbon Controller 8 rotary knobs 9 sliders 16 illuminated buttons
Features

Features

With a newly-designed light touch keyboard for effortless playability, KRONOS LS lets you take a full-sized keyboard - and the power of KRONOS - anywhere.

Packed with nine versatile sound engines, up to 16 simultaneous effects, 16-part Combinations and so much more, KRONOS is KORG's most powerful synthesizer ever. To further unlock KRONOS' potential, KORG introduces a new light-touch 88-key model for a new level of playability - and portability.

New light-touch keyboard for effortless, nimble playing

KORG's all-new light-touch keyboard makes it easy to play anything from rapid organ licks to synth phrases to glissandi. The mechanism of the keyboard itself has been redesigned so that the velocity is easier to control than on existing light-touch keyboards, even when playing complex chords or difficult phrases. The box-shaped keys share their look with KORG's premium RH3 action while providing the faster playing feel of a synth keyboard. Since the keyboard is semi-weighted, it's also perfect for playing the piano and electric piano in any style.

6.3 kg/14 lbs. lighter than KRONOS2-88 for increased portability

The new keyboard makes the instrument markedly lighter than KRONOS2-88 with KORG's RH3 action, making transport and setup much simpler. At under 19 kg. /40 lbs., bringing a full 88-note KRONOS to a show just became more convenient.

New OS v3.1 includes new Quick Layer/Split functions

Along with its dynamic new keyboard, KRONOS LS features the latest KRONOS OS - v3.1 -ˇwhich puts Quick Layer and Quick Split functions right at users' fingertips. Effortlessly create layers such as piano and strings, or splits such as electric piano and bass, effortlessly. Numerous additional OS refinements have also been made to further ensure stability and a stress-free performance environment.

A new look to complement its new feel

With its luxurious dark umber (reddish-brown) aluminium body and beautifully crafted sunburst wood side panels, KRONOS LS is designed to present as beautifully as it plays. KRONOS LS offers an elegant look that's perfect for home, stage, and studio.

When ambition, imagination, and technology converge-the results are spectacular.

Witness KRONOS. Created by KORG to satisfy today’s most demanding, accomplished performers and producers as well as tomorrow’s visionary leaders-KRONOS embodies over 50 years of artistic vision and production expertise. With nine distinct synthesis engines and a complete suite of performance and productions tools, KRONOS is simply the most versatile synthesizer ever made. KRONOS restores the magic, the thrill, and the promise that only a visionary new instrument can provide. And KRONOS delivers on that promise. Every resources and technology of service to the modern musician has been refined, perfected, and integrated into a single instrument, and is available on demand. Multiple state-of-the-art sound generation techniques represent the pinnacle of software realization. Onboard effects open the door to processing any internal or external audio source with dazzling results. Multitrack audio and MIDI recording deliver efficient studio operations in a mobile platform. Hands-on hardware includes an assignable control surface, dual joysticks, ribbon controller, top-of-the-line keyboard action, and KORG’s revolutionary tap-and-drag colour TouchView display. Best of all, KRONOS integrates all of these music-making resources into a single instrument in ways that no software setup or hardware platform can rival. KRONOS easily delivers everything you’d expect, plus many things you’ve only dreamed of. Set List mode keeps all of your custom settings and performance notes organized in the display for on-the-fly selection. Smooth Sound Transitions eliminate note and effect dropouts when switching sounds or modes. Connect virtual patch cables, select sounds, plus edit envelopes and sequences-all using the eight-inch colour TouchView display. Add to that advanced sequencing, KARMA, and Drum Track composition tools. Enjoy exclusive KORG wave sequencing, MS-20 filtering and the impossibly-rich Polysix chorus. And only KORG boasts the finest sound-design team on the planet, so you can always sound your very best.

Specifications

Specifications

System

  • System: KRONOS System Version 3.0
  • Keyboard: LS keyboard (Velocity-sensitive Semi-Weighted Keyboard)

Tone Generator

Synthesis Types:

  • 9
  • SGX-2: Premium Piano (Acoustic Piano)
  • EP-1: MDS Electric Piano (Electric Piano)
  • HD-1: High Definition Synthesizer (PCM)
  • AL-1: Analogue Synthesizer (Analogue Modeling)
  • CX-3: Tonewheel Organ (Tonewheel Organ Modeling)
  • STR-1: Plucked Strings (Physical Modeling)
  • MOD-7: Waveshaping VPM Synthesizer (VPM Synthesis)
  • MS-20EX: Component Modeling Technology (Analogue Modeling)
  • PolysixEX: Component Modeling Technology (CMT Analogue Modeling)
Maximum Polyphony*1*2:
  • SGX-2: 100 voices*3
  • EP-1: 104 voices
  • HD-1: 140 voices
  • AL-1: 80 voices
  • CX-3: 200 voices
  • STR-1: 40 voices
  • MOD-7: 52 voices
  • MS-20EX: 40 voices
  • PolysixEX: 180 voices

*1: In rare cases, when a large number of processor-intensive effects are active simultaneously (for instance, more than 14 O-Verbs), polyphony may be slightly reduced.

*2: A portion of the multicore processor in KRONOS is devoted to generating voices, and a separate portion is devoted to generating effects. KRONOS dynamically allocates the voice processing power between the engines as necessary. The quoted maximum numbers of voices apply when 100% of the voice processing power is devoted to a single engine.

*3: 100 dual-stereo notes (equivalent to 400 mono voices)

Preset PCM: 314 MB (ROM 1,505 Multisamples, 1,388 Drum samples)

Build-in Expansion PCM Libraries:

  • EXs1 - ROM Expansion
  • EXs2 - Concert Grand Piano
  • EXs3 - Brass & Woodwinds
  • EXs4 - Vintage Keyboards
  • EXs5 - ROM Expansion 2
  • EXs6 - SGX-1 German D Piano
  • EXs7 - SGX-1 Japanese C Piano
  • EXs8 - Rock Ambience Drums
  • EXs9 - Jazz Ambience Drums
  • EXs17 – SGX-2 Berlin D Piano
  • EXs18 – KORG EXs Collections
PCM RAM Capacity: Approx. 2GB *4
*4: The memory available for Sampling Mode will change based on the use of Expansion PCM libraries and User Sample Banks. Approx. 760 MB is available when shipped from the factory (When loading the file named "PRELOAD.KSC").
Wave Sequences:
  • 598 User memory, 187 Preload
  • Support for stereo multi-samples, synchronization of individual notes, and tempo-based settings.

SGX-2 Program

Premium Piano:
  • Virtual Memory Technology (VMT) plays large samples directly from the internal SSD
  • Full key stereo sampling, Chromatically sampled at up to 12 velocity levels, no looping.
  • Damper resonance and mechanical noise are reproduced.
  • Modelled String Resonance.
  • Una Corda sample support
PCM:
  • EXs6:SGX-1 German D Piano
  • EXs7:SGX-1 Japanese C Piano
  • EXs12:SGX-1 Austrian D Piano (Option Sound libraries)
  • 8 velocity levels, no Una Corda samples
  • EXs17:Berlin D Piano
  • 12 velocity levels, includes Una Corda samples
Piano Type: 64 (With the factory settings, the 16 varieties of EXs12 SGX-1 Austrian D Piano do not produce sound. The EXs12 option must be downloaded.)
Oscillator Control:
  • Damper Resonance
  • Damper Noise
  • Mechanical Noise
  • Note Release
  • String Resonance
  • Una Corda

EP-1 Program

MDS Electric Piano: Tine and reed-type electric pianos powered by Multi-Dimensional Synthesis (MDS), and vintage effects.
Electric Piano Model Types: 6 - Tine EP I, Tine EP II, Tine EP V, Tine EP DMP, Reed EP200, Reed EP200A
Oscillator Control: Harmonic Sound Level, Attack Noise, Level, Release Noise Level, Attack Brightness, Hammer Width
Panel Control:
  • Tine Type
  • Preamp Volume, Tone (Treble, Bass), Vibrate (On/Off, Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
  • Reed Type
  • Preamp Volume, Tone (Treble, Bass), Vibrate (Intensity, Speed), Amp/Cabinet (On/Off, Drive)*5
Effect Types: 9 - Small Phase, Orange Phase, Black Phase, Vintage Chorus, Black Chorus, EP Chorus, Vintage Flanger, Red Comp, VOX Wah

HD-1 Program

Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Structure:
  • Single: only OSC1, Double: OSC1 and OSC2.
  • Double mode lets you layer two completely separate synth voices, each with their own velocity-switched oscillator, dual filter, EGs, LFOs, etc.
  • Drums: One drum kit, Double Drums: Two drum kits.
Oscillators:
  • Virtual Memory Technology (VMT) plays large samples directly from the internal SSD.
  • 8 velocity zones per oscillator, with switching, crossfades and layering
  • Each zone can play mono or stereo Multisamples or Wave Sequences
Filters:
  • Two multi-mode filters per voices (low-pass, high-pass, band-pass and band-reject),
  • Four-mode filter routings (single, serial, parallel and 24dB mode)
Driver: Per voice non-linear driver and low boost circuit
EQ: Three bands, with sweep-able mid
Modulation: Three envelope generators, two LFOs per voice, common LFO, four key tracking generators, AMS (Alternate Modulation Source), two AMS mixers

EXi Program Common

Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.
Modulation: Common Step Sequencer, AMS (Alternate Modulation Source), Common LFO, 2 Key Tracking Generators
EQ: Three bands, with sweep-able mid

AL-1 Program

Oscillators:
  • Ultra-low-aliasing oscillators
  • OSC1, OSC2, Sub-oscillator and noise generator; ring modulation, FM and Sync
Audio Input: External audio can be processed through the ring modulator, filter, driver, amp, and EQ
Filters:
  • Two multi-mode filters (low-pass, high-pass, band-pass and band-reject) with four types of filter routings (single, serial, parallel and 24dB mode),
  • Multi Filter mode (only Filter-A;  modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects)
Driver: Per-voice non-linear driver and low boost circuit
Modulation: Five Envelope generators, four per-voice LFOs, two AMS Mixers; Per-voice Step Sequencer.

CX-3 Program

Tonewheel Organ Modeling: Phase-synchronous tonewheels (clean and vintage modes), percussion, key click, wheel brake
EX Mode: Four additional, user-specified drawbars, and expanded percussion.
Internal Effects: Rotary speaker, vibrato/chorus, amp modelling with overdrive, 3-band EQ
Drawbar Control: Controlled via nine front-panel sliders (via Tone Adjust)
Split: Upper, Lower (even in EX mode)
Modulation: Two AMS mixers

STR-1 Program

Physically Modeled String:
  • Includes physically modelled damping, decay, dispersion, nonlinearity, harmonics, dual pickups, and more.
  • Most string parameters can be controlled in realtime.
String Excitation:
  • Three independent excitation sources can be used simultaneously: Pluck, Noise, and PCM.
  • 16 preset "pluck" types, with modulatable width and randomization. Noise generator with saturation and dedicated low pass filter
  • PCM Oscillator:
  • KORG's ultra-low-aliasing technology, as introduced in the HD-1;
  • 4 velocity zones per oscillator;
  • Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode.
  • Supports Virtual Memory.
  • Excitation Filter:
  • Dedicated 2-pole multimode filter for shaping the string excitation.
  • Filter can be enabled/disabled separately for each excitation source.
  • Low Pass, High Pass, Band Pass, and Band Reject modes
Audio Input and Feedback:
  • Run real-time audio through the string, including feedback through effects.
  • Modelled feedback includes modulate-able instrument-to-amp distance and orientation.
Filters:
  • Dual multi-mode filters per voice; Single, Serial, Parallel (with split stereo output), and 24dB (4-pole) configurations. Low Pass, High Pass, Band Pass, and Band Reject modes
  • Multi Filter Mode (Filter A only).
  • Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Modulation: 5 Envelopes, 4 per-voice LFOs, 2 Key Track generators, String Tracking generators, 4 AMS Mixers.

MOD-7 Program

Waveshaping VPM Synthesizer: L Combines Variable Phase Modulation (VPM), Waveshaping ring modulation, PCM sample playback, and subtractive synthesis; Able to convert-load SYX files.
Oscillators:
  • 6 VPM/Waveshaper/Ring Modulation Oscillators:
  • Phase and modulatable pitch per oscillator.
  • 101 Waveshaper tables plus modulatable Drive and Offset.
  • Use as oscillators, or as Waveshapers or Ring Modulators for other signals.
  • PCM Oscillator:
  • KORG's ultra-low-aliasing technology, as introduced in the HD-1.
  • 4 velocity zones per oscillator.
  • Uses any mono Multisamples, including ROM, EXs, User Sample Bank, or Sampling Mode. Supports Virtual Memory.
Audio input: Run real-time audio through the VPM Oscillators and filters.
Filters:
  • Dual multi-mode filters per voice. (Low Pass, High Pass, Band Pass, and Band Reject modes)
  • Two types of filter looping (Parallel and 24 dB "4-Pole")
  • Multi Filter mode (Filter A only):
  • Modulatable mix of Low Pass, High Pass, Band Pass, and dry input, for creating a wide variety of unique filter types and effects
Patch Panel:
  • Supports both preset algorithm (78 types) selection and free patching.
  • Three 2-in, 1-out mixers for scaling and merging audio, fully modulatable, with phase inversion.
  • Main 6-input stereo mixer, with modulatable pan and volume, plus phase inversion
Modulation: 10 Envelopes, 4 per-voice LFOs, 9 Key Tracking generators, Per-voice Step Sequencer, 4 standard AMS Mixers plus 4 simple AMS Mixers.

MS-20EX Program

Oscillators: Ultra-low-aliasing oscillators; VCO1, VCO2, Ring Mod, Pink and White Noise Generator
Audio Input: Run real-time audio through the synthesis engine and ESP (External Signal Processor)
Filters:
  • 12dB/octave High Pass and Low Pass self-resonant filters
  • ESP section: 24dB/octave Low Cut and High Cut filters, available per voice.
Patch Panel: Patchable audio and modulation, at audio rates
Patch Points:
  • Keyboard: Keyboard CV Out, Keyboard Trigger Out, VCO1+VCO2 CV In, VCO2 CV In
  • VCO: VCO1+VCO2 External Frequency Control In, VCO1 Out, VCO2 Out
  • VCF: External Signal In, External HP Filter Cutoff Frequency Control In, External LP Filter Cutoff Frequency Control In, HPF Out, LPF In, LPF Out
  • VCO+VCF: Total External Modulation In
  • VCA: External Initial Gain Control In, VCA In
  • EG: EG1 Envelope Signal Normal Out, EG1 Envelope Signal Reverse Out, EG1+EG2 Trigger In, EG1 Trigger In, EG2 Envelope Signal Reverse Out
  • MG: Triangle Out, Rectangle Out
  • Noise Generator: Pink Noise Out, White Noise Out
  • Sample and Hold: Clock Trigger In, Sample Signal In, S/H Out
  • Modulation VCA: Control Voltage In, Signal In, Signal Out
  • Manual Controller: Control Wheel Out, Momentary Switch
  • ESP: Signal In, AMP Out, BPF In, BPF Out, F-V CV Out, Envelope Out, Trigger Out
  • Others: EXi Audio In, Mixer 1 In, Mixer 1 Out, Mixer 2 In, Mixer 2 Out
ESP (External Signal Processor): Use incoming audio as a trigger and/or CV source.
Modulation:
  • Original DAR (Delay, Attack, Release) and HADSR (Hold, Attack, Decay, Sustain, Release) EGs 1 &2,
  • Original MG (with MIDI sync), Sample-and-Hold, MVCA,
  • KRONOS: 4 additional multi-stage Envelopes, 4 additional per-voice LFOs, and 4 AMS Mixers.

PolysixEX Program

Oscillators:
  • VCO: Saw, Pulse, PWM
  • Sub Oscillator: Off, 1 octave below, 2 octaves below
Filter: 24dB (4-Pole) Octave Low Pass self-resonant filter
Effects: Integrated Polysix Chorus, Phaser, and Ensemble
Arpeggiator: Integrated MIDI-synced arpeggiator, with adjustable Range, Mode, and Latch
Modulation Polysix:
  • Original ADSR EG and MG (with MIDI sync).
  • KRONOS: 2 additional multi-stage Envelopes, 2 additional per-voice LFOs, and 4 AMS Mixers.

Combination

Number of Timbres, Master Keyboard Functionality:
  • 16 Maximum
  • Keyboard and velocity splits, layers, and crossfades of up to 16 Programs and/or external MIDI Devices
  • The tone adjust parameter function lets you modify program settings, and the master keyboard function lets you control external MIDI devices
Advanced Vector Synthesis: Control oscillator volumes and synthesis & effects parameters via the Vector Joystick and the tempo-synchronized Vector Envelope.

Drumkit

System: Assignable stereo/mono samples with 8 velocity zones per oscillator (with crossfade functions)
Number of Programs/Combinations/Drumkits
User Memory Programs: 2,560 (1,792 [896 HD-1+896 EXi] come preloaded)
User Memory Combinations: 1,792 (512 come preloaded)
User Memory Drum Kits:
  • 264 (78 come preloaded)
  • 256 GM Level2 preset programs + 9 GM Level 2 drum preset programs

Set List

The number of Set Lists/Slots:
  • 128 set lists, 128 slots per set list
  • Each set list provides a 9-band graphic EQ, and a Tone Adjust function that allows program settings to be adjusted.
  • Transpose setting.
  • Hold Time setting of Smooth Sound Transition (SST) supported for each slot.

Sampling

System: Open Sampling System (resampling, In-Track sampling)
Bit Depth/Sampling Frequency:
  • RAM: 16-bit/48 kHz stereo/mono sampling
  • DISK: 16 or 24-bit/48 kHz
Sampling Time:
  • RAM: Depends on the amount of available PCM RAM
  • DISK: Maximum 80 minutes stereo (879MB: 16bit)
Sample Locations: 16,000 samples/4,000 multi-samples (128 indexes per multisample)
Ripping: Direct sampling (ripping) from audio CD (CD-DA)
Formats: KORG format, AKAI S1000/S3000 data (with advanced Program parameter conversion); SoundFont 2.0, AIFF, and WAVE formats
Editing: Time Stretch, Time Slice, Crossfade Loop, and other standard editing features.

Effects

Insert Effects: 12 - Stereo in / stereo out
Master Effects: 2 - Stereo in / stereo out
Total Effects: 2 - Stereo in / stereo out
Timbre EQ: One 3-band EQ for each timbre/track
Effect Types: 197
Modulation: Dynamic Modulation and Common LFO
Effects Control Busses: Stereo side-chaining for compressors, gates, vocoders, etc.
Effect Presets: Total 783 preset, Maximum 32 per 1 effect (Preset User)

KARMA

KARMA Modules: One module in Program mode, four modules in Combination and Sequencer modes
Generated Effects (GE): 2,048 presets, 1,536 Users (96 come Preload)
Controllers:
On/Off, Latch, Chord, Assign, Module, Control, KARMA Realtime Control Sliders [1] – [8], KARMA Scene [1] – [8], KARMA Switches [1] – [8], KARMA Wave-Sequencing, GE Sub Category, Freeze Randomize, Time Signature Control, Tempo Synchronize, Auto RTC (Real Time Control) setup
Drum Track Patterns:
  • 718 preset (common with the preset patterns of the MIDI sequencer)
  • 1,000 user patterns
  • Patterns created in Sequencer mode can be converted to drum track user patterns.
  • Trigger Mode/Sync/Zone settings can be specified.

Sequencer/HDR

Tracks: 16-track MIDI sequencer + 16-track hard disk recorder + 1 master track.
Number of Songs: 200 songs
Resolution: 1/480
Tempo: 40.00 – 300.00 (1/100 BPM resolution)
Maximum Memory: 400,000 MIDI events or 300,000 audio events
MIDI Tracks:
  • 16 tracks plus the master track
  • 718 preset/100 user patterns (per song)
  • 18 preset/16 user template songs,
Audio Tracks: 16-track playback, 4-track simultaneous recording, WAV file format 16bit/24bit.
Other Functions: RPPR (Realtime Pattern Play and Record) (1 Pattern set per song), Auto Song Setup function

General

Disk Mode: Load, save, utility, audio CD burning, audio CD playback, data filer function (save/load MIDI System Exclusive data), CD-R/RW (UDF format read/write), ISO9660 Level 1.
  • Controllers: Vector joystick, joystick, ribbon controller, switches 1 & 2
  • Control Surface: Control Assign Switches:
  • Assigns the Control Surface to Timber/Track, Audio, External, Realtime Knobs/KARMA,Tone Adjust/EQ
  • Mixer Knobs Switch:Assigns the Mixer Knobs to either Channel Strip or Individual Pan, Reset Control Switch, Solo Switch, Knobs 1-8, Switches 1-8(Upper Row), Switches 1-8 (Lower Row), Sliders 1-8, Master Slider
  • KARMA Control:On/Off, Latch, Module Control
  • RUM TRACK:On/Off
Display: TouchView graphical user interface, 8 inch color TFT, SVGA (800x600 dots), adjustable brightness

Outputs:

= Analogue ==

(MAIN) L/MONO, R:
  • 1/4" TRS Balanced
  • Output Impedance: 350 Ω Stereo; 175 Ω Mono (L/MONO Only),
  • Nominal Level: +4.0 dBu,
  • Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)
  • MAIN VOLUME knob controls only AUDIO OUTPUT (MAIN) L/MONO and R

Individual 1-4:
  • 1/4" TRS Balanced
  • Output Impedance: 350 Ω Stereo; 175 Ω Mono,
  • Nominal Level: +4.0 dBu,
  • Maximum Level: +16.0 dBu (when load impedance is 600 Ω or greater)

Headphones:
  • 1/4" stereo phone jack, Output impedance: 33 Ω, Maximum Level: 60+60 mW (when load impedance is 33 Ω),
  • MAIN VOLUME knob (link with AUDIO OUTPUT (MAIN))
== Digital ==

S/P DIF:
  • Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz, (the same signals as L/MONO, R)
  • Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R
USB-B:
  • 24-bit, Sample Rate: 48 kHz, 2 channels
  • (Digital output of the same signals as AUDIO OUTPUT (MAIN) L/MONO and R)

Inputs:

== Analogue ==

Audio Inputs 1 and 2:
  • 1/4" TRS Balanced
  • MIC/LINE input level switches, LEVEL knobs
  • Input Impedance: 10 kΩ
  • Nominal Level: LINE
  • +4 dBu (LEVEL knob = min), –36 dBu (LEVEL knob = max)
  • Nominal Level: MIC
  • –22 dBu (LEVEL knob = min), –62 dBu (LEVEL knob = max)
  • Maximum Level: LINE
  • +16 dBu (LEVEL knob = min), –24 dBu (LEVEL knob = max)
  • Maximum Level: MIC
  • -10 dBu (LEVEL knob = min), –50 dBu (LEVEL knob = max)

Source Impedance: 600 Ω
Signal to noise ratio: 95 dB (typical)

Dynamic range: 95 dB (typical)

Crosstalk: 95 dB, at 1 kHz (typical)

== Digital ==

S/P DIF: Optical, 24-bit, IEC60958, EIAJCP-1201, Sample Rate: 48 kHz

USB-B: 24-bit, Sample Rate: 48 kHz, 2 channels
Control Inputs: Damper pedal (half damper supported), assignable switch, assignable pedal
MIDI: In, Out, Thru
USB*5:
  • USB A (TYPE A) x 2, For connection to external USB devices (QWERTY keyboards, MIDI controllers, ethernet adaptors, and storage)
  • USB B (TYPE B) x 1, MIDI/audio interface
  • MIDI: 1 (16 channel) input / 1 (16 channel) output
  • Audio: 2 channel input / 2 channel output
  • *5 USB high-speed ports (supports 480Mbps)

Disk Drives:

  • 60 GB SSD (2.5")
  • Optional installation of second internal SSD

Principal Specifications

  • Frequency Response: 20Hz-22kHz, +/-1.0dB, 10k Ω load
  • THD+N: 20Hz-22kHz, 0.01%, 10k Ω load (typical)
  • S/N 95dB (typical)
  • Dynamic Range: 95dB (typical)
  • Crosstalk: 95dB, at 1kHz (typical)
  • Power Consumption: 60W
  • Dimensions (W x D x H): 1,426 mm x 364 mm x 134 mm/56.14" x 14.33" x 5.28"
  • Weight: 17.8 kg /39.24 lbs.
  • Accessories: AC cord, Quick Start Guide, Accessory DVD Discs 1-3 (DVDs include KRONOS Operation Guide, Parameter Guide, and Voice Name List PDF files; Video Manual; KORG USB-MIDI Driver; System Restore Data, etc.)
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